Tuesday, August 13, 2013

Advanced Art: Ist Sketchbook Assignment.


 Read the example below and then use the template to create your own "Where I'm From" Poem.  This will be attached to the first page of your sketchbook. 

Where I'm From
By George Ella Lyons (1993)
I am from clothespins,
from Clorox and carbon-tetrachloride.
I am from the dirt under the back porch.
(Black, glistening,
it tasted like beets.)
I am from the forsythia bush
the Dutch elm
whose long-gone limbs I remember
as if they were my own.
I'm from fudge and eyeglasses,
          from Imogene and Alafair.
I'm from the know-it-alls
          and the pass-it-ons,
from Perk up! and Pipe down!
I'm from He restoreth my soul
          with a cottonball lamb
          and ten verses I can say myself.
I'm from Artemus and Billie's Branch,
fried corn and strong coffee.
From the finger my grandfather lost
          to the auger,
the eye my father shut to keep his sight.
Under my bed was a dress box
spilling old pictures,
a sift of lost faces
to drift beneath my dreams.
I am from those moments--
snapped before I budded --
leaf-fall from the family tree.


“Where I’m From” Pre-Writing

On a separate piece of paper, use the following categories to list specific details related to you. The key is making this as specific and personal as possible. Use nicknames or words that only you or your family use. Don't worry about readers not knowing what you're talking about.

a) Parents’ names and/or the names of close relatives
b) Special foods or meals
c) Family-specific games or activities
d) Favorite songs
e) Stories, novels or poetry that you'll never forget
f) Phrases that were repeated often
g) The best things that you have been told
h) The worst things that you have been told
i) Ordinary household items
j) Family traditions
k) Family characteristics (i.e. everyone has brown eyes)
l) Family tendencies (i.e. everyone tends to laugh a lot)
m) Religious symbols or experiences
n) Specific stories about a specific family member that influenced you
o) Accidents or traumatic experiences
p) Losses
q) Joys
r) Location of memories, pictures, or mementos

 Name__________

The WHERE I'M FROM Template

I am from _______ (specific ordinary item), from _______ (product name) and _______.
I am from the _______ (home description... adjective, adjective, sensory detail).
I am from the _______ (plant, flower, natural item), the _______ (plant, flower, natural detail)
I am from _______ (family tradition) and _______ (family trait), from _______ (name of family member) and _______ (another family name) and _______ (family name).
I am from the _______ (description of family tendency) and _______ (another one).
From _______ (something you were told as a child) and _______ (another).
I am from (representation of religion, or lack of it). Further description.
I'm from _______ (place of birth and family ancestry), _______ (two food items representing your family).
From the _______ (specific family story about a specific person and detail), the _______ (another detail, and the _______ (another detail about another family member).
I am from _______ (location of family pictures, mementos, archives and several more lines indicating their worth).

Friday, June 14, 2013

Animo Watts Visual Arts/Mobile Mural Lab Project

Hello all,

I just wanted to share an amazing project that has come to fruition between Animo Watts College Preparatory Academy and Mobile Mural Lab.

Mobile Mural Lab is an awesome program run by David Russell and Robert Del Hoyo who are exceptional artists that have earned M.F.A degrees from Otis College of Art and Design. 

The Mobile Mural Lab (MML) collaborates with artists, organizations, cultural institutions, schools, and communities to facilitate interactive mural painting programs, events and workshops.

Together with students from Animo Watts College Preparatory Academy, Mobile Mural Lab has given the opportunity for our school to further provide current and future students a vision of "a college bound culture" both philosophically and literaly.

Mobile Mural Lab came to our school and worked with my 11th and 10th grade students to produce the mural below.  

Please take the time to view the following pictures below and also visit the MobileMuralLab page for more info about them.  I highly recommend them to any one and any school that wants an awesome interactive arts project.





















































































































































Sunday, February 3, 2013

Black Painting No. 34 1964

Ad Reinhardt
American, 1913–1967
Black Painting No. 34, 1964
Oil on canvas, 1.530 x 1.526 m
(601/4 x 601/8 in.)

 In the 1950's Ad Reinhardt, began limiting the colors in his paintings and then eventually only painted black on canvas.  His all black paintings took a lot of work to create.  To create them he mixed reds, blues, and other colors with black creating slightly different color tones within the black painting.  These color changes could be seen as the viewer looks closely at the painting.  Reinhardt created this painting without leaving many brushstrokes.  His pictures are static—“timeless” he called them.  He insisted they were the ultimate paintings.

 Your Task
The statement below is meant to explain this black painting.  What do you think it means?  Try to figure out it's meaning by reading each sentence and comparing it to the painting.  

1. Art is art. Everything else is everything else.
11. Painting as central, frontal, regular, repetitive.
18. Brushwork that brushes out brushwork.
20. The strictest formula for the freest artistic freedom.
21. The easiest routine to the difficulty.
23. The extremely impersonal way for the truly personal.
24. The completest control for the purest spontaneity.


—Ad Reinhardt, from “25 lines of words on art: Statement,”1958

Tuesday, January 22, 2013

Dream Caused by the Flight of a Bee around a Pomegranate One Second Before Awakening

"Dream Caused by the Flight of a Bee around a Pomegranate One Second Before Awakening."

Salvador Dalí, 1944
Oil on wood panel
51 x 41 cm
Museo Thyssen-Bornemisza, Madrid


Salvador Dali, an already famous Spanish painter arrived in the United States during 1940.  He spent eight years total in the U.S. and during his stay he took part in many projects including some in Theatre and film.  It was in 1944 that he was inspired to create the painting above.

There is obvious symbolism in this painting.  Your task is to evaluate the symbols in this painting and arrive at a conclusion as to what painting is about.  There is no right or wrong answer as long as you can back up your thoughts.  For example:  a pomegranate is known to symbolize resurrection and the hope of eternal life in Christianity.  How can you fit this with the meaning of the painting?  (7-12 sentences)  Remember to respond to at least one other classmate. 

Thursday, January 17, 2013

LOOKING AT ART: FELDMAN MODEL

Takashi Murakami
"Flower Matango (d)" 2009
Oil paint, acrylic, fiberglass and iron
10.4 x 6.8 x 8.7 feet 




























Looking at Art: Feldman Model



Name______________________________________Date_____________Per.________________


 Assignment: Research the artist above, Takashi Murakami, and his artwork the “Flower Mantango.” Complete the questions on the following pages to gather information for your 5-paragraph essay.

Art Criticism – Why Should We Do This?

The art critiquing process is a method of organizing the facts and your thoughts about a particular work of art.
Looking at art requiring us to use many types of knowledge, and it encourages us to make connections with our experience.
Virtually all cultures display some form of art or visual ornamentation.
Looking at art requires thinking!!!!


How to write a 5 Paragraph Art Criticism Essay

It will be easy to write because you have done all the work by gathering information and completing the questions in the art criticism steps defined in this packet. All you have to do is turn your information/answers into paragraph form.

1. Follow the art criticism steps starting with the credit line and ending with judgment

2. Each paragraph should be at least 8-10 sentences long

3. Introduction…paragraph one- summarize the credit line & background info

4. Paragraph two- DESCRIBE the artwork

5. Paragraph three- ANALYZE the artwork

6. Paragraph four- INTERPRET the artwork

7. Conclusion…paragraph five- JUDGE the artwork

Tips:
Write in complete sentences, use proper spelling, and grammar. Make sure the paragraphs flow together and that the information is not choppy and hard to read. Think of this as an English assignment. I will hold you to those standards.


I_n_t_r_o_d_u_c_t_o_r_y_ _P_a_r_a_g_r_a_p_h_ _

Biography of an Artist – _background information and credit line
Name of artist____________________________________________________________
Date of birth__________________Date of death____________________
Place of birth/Nationality___________________________________________________

More info on Murakami can be found at: http://www.moca.org/murakami/


1. What kind of artwork is this artist known for? (painting, sculpture, architecture, ceramics, etc.)

2. Did the artist work in more than one style? If so, which ones?

3. How have experts described the artist’s most important style of work?

4. What were you able to discover about the artist’s family or childhood?

5. What kind of education or schooling did the artist receive in art and other subjects?

6. What other events, circumstances or influences were important in the artist’s development?

7. Describe some of the most important accomplishments of this artist.

8. What do you find most interesting about the artist’s life or work? Why?

The Credit Line: informational facts that provide clues about the artwork. The credit line usually appears below the artwork in a book, magazine, poster or on the Internet.
Artist’s name_____________________________________________Nationality______________________
Dates (born-died)_____________________Title of the artwork____________________________________
Date of the artwork__________________Media________________________________________________
Dimensions_____________________Present location of artwork_________________________________


2nd Paragraph

The Description Step
In this step you will:
1. Identify/describe recognizable objects and subject matter
2. Describe how the artist used the art materials to create this artwork
3. Describe the qualities of line, shape/form, texture, color, space, etc.
4. LIST FACTS ONLY, NO OPINIONS ABOUT THE ARTWORK!

List the subject matter you see:
1.
2.
3.
4.
5.
Describe how the artist used the following elements of art to create this artwork:
Color-
Line-
Space-
Value-
Shape-
Texture-
Form-


3rd Paragraph

The Analysis Step
In this step you will answer the question, “how is this artwork organized?” Artists use the principles of design to organize the elements of art within their artwork. It is important to remember that not every principle of design will be used in every artwork!
Identify how the artist created/used:

Rhythm:
Movement:
Contrast:
Unity:
Pattern:
Emphasis:
Balance:

Answer the following:

1. Identify the kind of balance used?

2. Talk about how your eye moves across the artwork (movement).

3. Where is the focal point (emphasis)?

4. Are there any noticeable patterns? If so, how were they created?

5. Does the artwork feel like everything belongs together (unity) or does the artwork feel chaotic?

6. Are there any contrasts (opposites) in this artwork? For example: lights & darks, geometric & organic shapes, small & big shapes, rough & smooth surfaces/textures?


4th Paragraph

Interpretation Step
In this step you will ask yourself “what does this artwork say to me” or what was the artist trying to tell the viewer”. You can make educated guesses and inferences. You must be able to express yourself intelligently using words that explain why you feel the mood or meaning of the artwork is ___________. Use the information you gathered in the description step and analysis step to help you.

What story is this artwork telling?


What do you think the artist is trying to say by creating this artwork?



How does the artwork make you feel?

What mood does the artwork express? Why, how?


Are there any shapes or objects that could be symbols for something else or have hidden meanings?


How is the artwork related to other ideas or events you are familiar with?



Conclusion Paragraph

The Judgment Step

Judgment: This is your opinion about the artwork. Base it on one of the following theories:

ALWAYS SUPPORT YOUR JUDGMENT WITH EVIDENCE FROM WITHIN THE ARTWORK!!! Use the information you gathered in all previous steps.

Imitative: the artist tired to accurately describe the subject matter

Formalism: the artist tried to experiment with the elements and principles of design

Emotionalism: the artist tried to emphasize moods or symbols

Functionalism: the artist intended the artwork to be useful, for educational, religious, work purposes

Choose one of the above theories for judging (liking/disliking) your selected artwork and explain in a paragraph why you selected the one you did.
Try answering the following questions as well:

1.     Who would appreciate this artwork?




2.     How do you judge the craftsmanship/quality of this artwork?





3.     Ask yourself “is this a successful work of art?” Justify your reasoning.


YOU WILL BE EVALUATED USING THE FOLLOWING RUBRIC.


Ánimo Watts College Preparatory Academy

Performance Scale


Level of Understanding

Rubric Score

Letter Grade

Student Performance  
4
Advanced Understanding
(Advanced)

Score 4.0

A
(90%-100%)
I have answered all four sections of the Feldman Model within my research paper thoroughly and intelligently and have also added facts, opinions, and history relevant to the painting in question.  In paper citations are in proper format as is the works cited page.
3
Proficient Understanding
(Proficient)

Score 3.0

B
(79%-89%)
I have satisfactorily answered all four sections of the Feldman Model within my research paper and have also added some facts, opinions, and history relevant to the painting in question.  In paper citations have very little errors as with the works cited page.
2
Developing Understanding
(Basic)

Score 2.0

C
(68%-78%)
I have attempted to answer all four sections of the Feldman Model within my research paper and have also added few facts, opinions, and history relevant to the painting in question.  In paper citations have notable errors as with the works cited page.
1
Beginning Understanding
(Below Basic)

Score 1.0

D
(57% - 67%)
I have attempted to answer some of the four sections of the Feldman Model within my research paper and have also added very little facts, opinions, and history relevant to the painting in question.  In paper citations have many errors as with the works cited page.
O
No Understanding
(Far Below Basic)
Score 0.0
F
(46%-56%)
I have done very little to complete this writing assignment.





DUE FEB. 4TH AND 5TH.  NO LATE PAPERS WILL 

ACCEPTED!